I finish this book, and I find some chapters are useful for my project.
The first one I have mentioned in the formal journal, so I am going to the second one. It is about the hand signals:
clenched hands: when speaking, clenched hands indicate that what is being talked about is frustrating, or was a painful experience.
hiding the thumbs inside the fist: difficulty in analyzing a problem.
rubbing the hands together: quick rubbing indicates a pleasurable sense of satisfaction or expectation, while slow rubbing or wringing of the hands reveals that a 'con' is about to be perpetrated.
hands pressed together, as if in prayer: demonstrates a desire to persuade, or underline a point gently but firmly.
The third one is how to spot a liar. The nervous system is the most important. A dry mouth, produced by fear, will cause the liar to lick his or her lips more often- and perhaps swallow nervously. There may be more throat-clearing than usual too. Breathing may become more uneven- another stress reaction which is easily observed. Meantime, the feet and legs are the most difficult parts of your body to control consciously. When someone chooses to lie during a conversation, he or she will often suddenly cross arms or legs simultaneously. It suggests advance self-defense against challenge.And tell-tale foot signals may include feet pointing towards the exit- revealing a desire to escape the situation - or a lot of foot tapping or jabbing movements in the air, meaning that the person wants to get out.
To conclude, it is a very useful book for body language, and I have learn the knowledge of the eyes, the hands and how to spot a liar by watching the body languages. Also I want create a liar in my film, so this knowledge is useful for that character and make me control it.
what kind of inspiration is this giving you for your film script?
回复删除I guess it can provide the detail of spot a liar, because I want to put a liar in the script.
删除